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在纪念秋收起义七十五周年的日子里,萍乡作家张学龙创作了长篇历史小说《焚黑》。进入上世纪八九十年代后,历史题材在我国文坛兴起,蔚为一大景观,产生了如《倾国倾城》、《少年天子》、《白门柳》、《曾国藩》等一批很有影响的作品。近年来,历史小说创作观念又有了新变化,出现了一批只以历史作背景和框架的假定性很强的作品,如《长恨歌》、《妻妾成群》等等,这类作品强调文化内涵和当代意识的渗入,这就是所谓的“新历史小说”。相比照而言,在历史文学中,以写现代革命历史题材的文学作品似还不多见,琢磨起来,这大约是历史与现实的距离较近,人们对此耳熟能详,而真正写起来又不容易把握的缘故。而张学龙没有回避这些问题,他生活在萍乡这块热土上,带着深挚的革命感情,发挥地方特色的优势,写出了洋洋好几万字的《焚黑》,这是笔者首先所要称道的。
In commemoration of the seventy-fifth anniversary of the Autumn Harvest Uprising, Pingxiang writer Zhang Xuelong created a long historical novel “Burning the Black.” After entering the eighties and nineties of the last century, the theme of history has risen in our literary circles and become a major landscape, resulting in a great number of such subjects as “Empress Dowager”, “Boy of Heaven”, “White Door” and “Zeng Guofan” Affected works. In recent years, there have been new changes in the notion of historical novels. A series of highly hypothetical works featuring historical backgrounds and frameworks, such as Everlasting Regret, Wives and Concubines, etc., have emerged. These works emphasize culture Connotation and infiltration of contemporary consciousness, this is the so-called “new historical novel.” In contrast, in the history of literature, to write the theme of modern revolutionary history of the literature seems rare, pondering up, this is about the distance between history and reality is close, people are familiar with it, and truly write it Easy to grasp the reason. Zhang Xuelong did not evade these problems. He lived in the hot land of Pingxiang. With deep-seated revolutionary feelings and advantages of local features, Zhang Xuelong wrote the “incineration” of tens of thousands of words of ocean. This is the first thing that the author should praise.