唐代画家张璪的“外师造化,中得心源”八个字,对绘画中的主客关系作了简练而深刻的概括,正如谢赫的“六法”一样,几乎影响了此后中国千余年来的绘画创作,不论是山水画、花鸟画还是人物画,都以此为创作准则。这八个字概括了绘画创作中由客观现象转化为艺术意象,再由艺术意象提升为艺术形象的全过程。这就 In the Tang Dynasty, artist Zhang Jian made a concise and profound summary of the relationship between subject and object in painting, just as “Sheikh’s” Six Laws "influenced almost Since then, more than a thousand years of Chinese painting creation, whether it is landscape paintings, flowers and birds painting or figure painting, are used as a creative criterion. This eight-character summed up the whole process of transforming the objective phenomenon into the artistic one in the painting creation and then from the artistic one to the artistic one. This is