来自欧洲的西洋文明和来自日本的东洋趣味,都带给雍正时期的宫廷造作一股新动力,在东西洋新概念、新技法和新装饰纹样的交流下,使宫廷文物的产造呈现出更丰富多元的面貌。特别是源于西方的金属胎珐琅器,此时更进入鼎盛期,不少画珐琅兼融中西艺术造型,力求变化。雍正深具文人涵养,遂在器形上,加入松、竹、梅等文人喜爱的元素,在皇家气势中同时融合了文雅 Western civilization from Europe and the taste of Japan from Japan brought a new impetus to the imperial court in the Yongzheng era. Under the exchange of new concepts, new techniques and new decorative patterns of things, the production of the palace relics showed even more Rich and diverse face. Especially from the metal tire enamel in the West, at this time even more into the heyday, many painted enamel blend both Chinese and Western art, and strive to change. Yongzheng literate with deep conservation, then the shape, add pine, bamboo, plum and other literary favorite elements, combined with the Royal style at the same time elegant