郭沫若的剧本《筑》(也即《高渐离》)经历了两次修改,而第一次修改的内容最多,但一直以来没有被学术界重视。一般的学者只是对它的定本即最后一次修改的版本进行评价。本文着重对《筑》的初版本和第一次修改本进行比较,分析改动的原因,评价改动前后的艺术效果,从而能较为客观、历史的再现这部剧作的真实面貌。 Kuo Mo-jo’s script, Tsukamoto (also known as Gao Jin Le), has undergone two modifications, with the first revision having the largest content, but has never been valued by academics. The average scholar only assesses its version, the last modified version. This article focuses on the comparison between the first edition and the first edition of “Zhu”, analyzes the causes of the changes, and evaluates the artistic effects before and after the changes so as to be able to reproduce the true appearance of the play more objectively and historically.