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罗布.格里耶实验小说中的“人”相对于“物”,总是处于一种可有可无、似有似无的状态,解读实验文本的过程,也是一个竭力将“人物形象”从“物”的世界分离出来的过程,这种解读与人类进入20世纪后努力进行自我寻觅的社会情状是完全吻合的。小说表现出对故事情节性一定程度的拒绝。小说中环境描写既不为展示人物性格而存在,也不是反映生活画面、推动情节发展的因子,而是一个具有无比独立性的自在物,是“物”的展示。
The “man” in Rob Grier’s experimental novel is always in a state of dispensability and resemblance to the “thing,” a process of interpreting the experimental text, and a process of trying to “figure out” from The process of separating the world of “things” completely coincides with the social situation in which man strives to find himself after the twentieth century. The novel shows a certain degree of rejection of the plot. The description of the environment does not exist in the novels to show the personality of the characters, nor is it the factor that reflects the picture of life and the development of the plot. It is an exhibit of incomparable independence and an object.