近期反映都市生活的电影,渐生宣扬消费超前之弊。例如,影片《雅马哈鱼档》、《街市流行曲》、《珍珍的发屋》、《嘿,哥们儿》等等,几乎一部比一部更『阔气』。只见电影里那些个体户男女青年们出入灯红酒绿的豪华宾馆、酒吧、舞厅;那个理发店女老板珍珍,拿着大把的『大团结』往伙伴的拎包里塞;卖羊肉串的小伙子到高级饭店一顿饭就花了近二百元,还说他是『这里的常客』……这些人出手豪阔,简直可同外国的阔老们一比高低。这些电影给人的印象似乎我国目前都市生活的消费水平已达到相当高度了。这是值得商榷的。诚然,总的来看这几年城市人民生活水平有着不同程度的提高,但象电影里那样阔气则还相去甚远。怎么能如此 Movies that recently reflected urban life are prevalently promoting the disadvantages of spending ahead. For example, almost all of them are more lavish than the other, such as “Yamaha Fish File”, “Market Pop”, “Jane’s Hair House”, “Hey, Buddy” and so on. I saw the movies of those young men and women entering and leaving the luxury hotels, bars, dance halls; the barber shop owner Jane, holding a lot of “big solidarity” to the partner’s bag stuffed; young man selling lamb skewers to senior The restaurant spent nearly 200 yuan on a meal, adding that he was “a frequent visitor here....” These people shot a vast expanse of land, almost as high as a foreign elder. These films give the impression that the consumption level of urban life in China has reached a very high level. This is debatable. Admittedly, in general, the living standards of urban people have improved to varying degrees in the past few years. However, as lavishly as in the movies, they still have a long way to go. How can this be?