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农村题材小说是十七年文学的主流,深受意识形态影响,诞生于文革前期的《艳阳天》更是如此。于是,在政治性与乡土性的冲突之下,作品中的城市形象具有了矛盾性:一方面由于政策引导,成为作者所要批评的对象;另一方面,现实之中农民对其丰富的物质资源的向往之情又时常不经意地显现出来。这一矛盾的存在从侧面反映出十七年时期,国家政策与农民趋利本性的冲突。为了缓和这一叙述矛盾,浩然采用了“乡村城市化”的写作办法。
Rural theme novels are the mainstream of 17 years of literature, deeply affected by ideology, was born in the early Cultural Revolution “sunny” even more so. Therefore, under the conflict between politics and localism, the image of the city in the works is contradictory: on the one hand, due to policy guidance, it becomes the object to be criticized by the author; on the other hand, in reality, the peasants have a great influence on their abundant material resources Often yearning and often inadvertently revealed. The existence of this contradiction reflects, from the side, the conflict between the national policy and the profit-oriented nature of farmers during the 17 years. In order to ease the narrative contradictions, Hao Ran adopted the writing method of “rural urbanization.”