建立在数字媒介上的艺术作品带给人完全不同于传统艺术作品的审美经验。数字媒介使艺术作品的直接载体不再具有物质的内容,审美经验的发生场域是数字技术构造的虚拟现实,因而审美经验是即时的深度体验——沉浸——欣赏者直接体验的是艺术家构造的体验状态。数字技术作为西方科学传统计算性思维在当代的极端化形式,却包含了技术高度人性化的可能,因而构成了对海德格尔技术批评的一个反驳。 Art works built on digital media bring aesthetic experiences that are completely different from traditional art works. Digital media makes the direct carrier of artwork no longer have material content. The field of aesthetic experience is the virtual reality of digital technology. Therefore, aesthetic experience is immediate and deep experience. Immersion - the viewer directly experiences the artist’s structure Experience of the state. As an extreme form of contemporary Western computational thinking of scientific science, digital technology embodies the possibility of highly humanized technology, thus constituting a refutation of Heidegger’s technical criticism.