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用尽我的全力以每一块碎片歌唱你版画创作是一个神奇的过程。齐喆手持那些反复推敲过的图稿,面对夜空一般的黑色木板,一刀刀刻下去,刀刀见白,如人生一般,不可更改。雕刀刻向木头的顿挫以及木质划开的芳香,都在有意无意改变着什么。印制,更像是一种洗礼,当从沾满油墨的刻版上揭开纸张的那一刻——让人无限期待动情的诗句落入纸端。艺术家齐喆,以当代视角理性审视生命意义,以中国传统木版刻印体系作为自己的研究根本。从较早的《书版》系列开始,齐喆追溯印制文化的根源,并以此为基础,创作出《在路上》系列,建立起独特的面貌,
It is a magical process to try my best to sing every piece of your print. Qi Zhe hand-held those who repeatedly scrutinize the artwork, the face of the night sky in general black wood, a knife cut, knife see the white, such as life in general, can not be changed. Engraved carving wood to the frustration and the wooden open aroma, are intentionally or unintentional changes in what. Printed, more like a baptism, when the moment of unraveling a piece of paper from an ink-stamped engraved sheet - the poem that feels infinitely emotional to fall into the paper. Qi Zhe, an artist, uses the contemporary perspective to rationally examine the meaning of life and regards traditional Chinese woodcut engraving system as its own research foundation. Starting from the earlier “Book Edition” series, Qi Zhe traces the roots of printed culture and based on it, he created a series of “on the road” to establish a unique face,