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古语有云:“始作俑者,其无后乎”,我是粤剧节之始作俑者。1990年在广州举行了首届羊城国际粤剧节。可喜的是相隔六年之后又在广州举办’96羊城国际粤剧节。今日,我以“从‘真栏、真栏,新埋三十六班’说起”为题.谈谈个人对粤剧一些问题的看法。“真栏”是过去一张名为“趣致”的石印版宣传品,每年粤剧“埋班”时把新埋的各个戏班的班牌、老倌等刊登在上面,报童随街叫卖:“真栏、真栏,新埋三十六班”,因而“真栏”一词便流传开来。“埋班”实际上是粤剧发展变化的一个规律的反映。我觉得,解放之后,没有把剧团的组班提到科学上去研究,做
As the old saying goes: “The initiator is nothing,” I am the initiator of the Cantonese Opera Festival. The first Guangzhou International Cantonese Opera Festival was held in Guangzhou in 1990. It is gratifying to hold ’96 Yangcheng International Cantonese Opera Festival in Guangzhou after six years. Today, I will start with “From the real column, the real column, and the new thirty-six classes.” Let me talk about some personal opinions on some issues in the Cantonese opera. “The real column” is a past, “interesting” lithographic version of publicity materials, each year when the Cantonese opera “buried classes” in the newly buried class classes Ban Lao Ji, etc., published in the streets with the newsboy selling: “ Real column, real column, thirty-six new classes buried ”, so the“ real column ”will spread the word. “Burying classes” is actually a reflection of the law of the development and changes of Cantonese opera. I think after the liberation, there was no mention of the troupe’s group class in science to do research