终极关怀·温馨话语·娱乐包装评《我也有爸爸》倪震最近，有论者指出“回归古典”是当今中国电影的美学倾向之一，其特征是：一、崇高感和对终极价值的关怀；二、人物、情节和事件严密的逻辑结构。“因为逻辑是体现着人生局限的罗网，一切古典主义的悲剧根源都在于其不得... Recently, some critics pointed out that “Returning to Classicality” is one of the aesthetic tendencies of Chinese cinema today. Its features are: First, the loftiness and concern for the ultimate value; Second, characters, plots and events closely logical structure. "Because logic is the net that embodies the limitations of life, all the tragedies of classicism lie in their inability to ...