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2003年春天,“非典”肆虐,北京是重灾区。许多有责任心的摄影记者不顾个人安危,到医院去,到病房去,拍摄了一批反映医患人员与“非典”病魔抗争的优秀新闻照片。中国青年报记者贺延光的《sARs病房》,是其中出色的一幅。 这幅照片在表现手法上有两点值得注意:作者大胆采用垂直构图。逝者与画面横边框平行。医生双手叉腰伫立在画面中央。这种构图不仅仅是形式上别致,重要的是与沉重的气氛相吻合;照片的主体人物是医生。读者看到的是医生的后背,完全看不到医
In the spring of 2003, “SARS” raged and Beijing was hardest hit. Many responsible journalists, regardless of their own personal safety, went to the hospital and went to the ward and shot a series of excellent news photos reflecting the struggle between doctors and patients and the SARS disease. China Youth Daily reporter He Yanuang’s “sARs ward” is one of the excellent. It is noteworthy that there are two ways in which this photograph can be expressed: the author boldly adopts a vertical composition. The dead and the horizontal border parallel to the screen. The doctor standing akimbo in the center of the screen. This composition is not only formal chic, it is important to coincide with the heavy atmosphere; the subject of the photo is a doctor. Readers see the doctor’s back, can not see the doctor