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中国的作家一直为无缘诺贝尔文学奖而耿耿于怀,甚至有人认为中国作家没有获奖缘于瑞典文学院的种族歧视。如果真是这个原因,那么我们就很难解释为什么同为东方作家的川端康成会获得诺贝尔文学奖的青睐。从川端康成身上,我们可以烛照出中国作家的缺失和困境。正是对传统的弃之如履,让中国文学陷入了今天尴尬的境地;也正是中国作家反映现实能力的丧失,让中国的文学并没有呈现真实的、复杂的、变化着的中国现实;也正是中国作家主体精神的萎靡,使这个时代的人们无法从文学中汲取对未来美好生活的信心,这也是我们这个时代的作家始终与诺贝尔文学奖擦肩而过的原因。
Chinese writers have always been emboldened to miss the Nobel Prize for literature. Some even think that Chinese writers are not entitled to racial discrimination due to the Swedish Academy of Arts. If this is the reason, then we can hardly explain why Kawabata, who is also an oriental writer, won the Nobel Prize in literature. From Kawabata Yasunari, we can cite the absence and predicament of Chinese writers. It is precisely because of the abandonment of tradition that Chinese literature has become embarrassed today. It is also because Chinese writers have shown the loss of their ability to practice so that Chinese literature does not show a real, complex and changing Chinese reality. It is also the sluggishness of the main body of Chinese writers that the people of this age can not learn from literature their confidence in a better life in the future. This is why our writers in this age always pass the Nobel Prize for Literature.