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制作一部关于艾略特·卡特(1908年出生)的影片就是一段时光之旅,就像走在一座连接了不同时间和地点的桥上一样。这座桥横跨于传统和变革之间、美国和欧洲之间,也连接了旧世界和新世界。这座桥梁使人们入迷,将过去和将来的碰撞融入现在。我认为,这位作曲家是音乐的传统中“最后的莫西干人”。当我们走在纽约的布鲁克林大桥上的时候,他正在沉思着时间现象。从他的家到桥上我们花了30分钟。对有些人来说,可能这只是弹指一挥间,
Making a movie about Eliot Carter (born 1908) is a time-saver, like walking on a bridge that connects different times and places. The bridge stretches between tradition and change, between the United States and Europe, and connects the Old World with the New World. This bridge fascinates people and merges past and future collisions into the present. In my opinion, the composer is the musical tradition “the last Moshi man.” As we walked over the Brooklyn Bridge in New York, he was contemplating the phenomenon of time. We spent 30 minutes from his home on the bridge. For some people, this may only be a fingertip,