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谈起庄子,人们就自然会想到他对于梦境的描写。庄子之梦突破了前人在叙述梦时所采用的“做梦——占梦——验梦”的叙事模式,而是将虚构的梦像纳入作品,借梦象释理抒情,跨越了哲学常规的逻辑说理方式。他以梦为文所开创的梦象艺术,将现实社会问题与个人内心世界巧妙的连接了起来,打通了入梦窥视心灵及社会隐秘的艺术渠道,在中国梦文化史上有重要地位。本文意图在于通过对《庄子》一书“梦”的解析,浅悉梦和庄子思想的联系。
When talking about Chuang Tzu, people naturally think of his description of the dream. Zhuangzi’s dream broke through the narrative mode of predecessors used in the narrative dream, “dreaming - dreaming - dreaming”, but to incorporate the fictional dream into the works, lyrical by dreamlike interpretation, Philosophical conventional logical approach. His art of dreams, created by his dreams, cleverly connects the real social problems with the inner world of human beings and opens up an artistic channel for peeping into the spirits of the mind and the secrets of the society. It has an important position in the history of Chinese dream culture. The purpose of this paper is to analyze the relationship between dream and Zhuang Zi thought through the analysis of Zhuang Zi’s book Dream.