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本文从比较戏剧学的角度，用“影响接受研究的批评”的方法，探讨了辛亥革命时期最有影响的文明新戏团体──进化团与日本新派剧之关系，务求用实际材料考证它们之间的渊源与影响的存在，努力回答了接受些什么、怎样接受、以及接受的效果等等。进化团在成立缘起、演出剧目、演剧风格等方面与日本新派剧有着渊源关系．进一步有力地证实了文明新戏来源于日本新派剧，日本新派剧是中国早期话剧的一个重要的“影响源”。
From the perspective of comparative drama, this article explores the most influential civilized neo-opera group in the 1911 Revolution - the relationship between the evolution group and Japan’s new genre drama, using the method of “criticizing accepting research” Between the origin and influence of the existence of hard work to answer what to accept, how to accept, and the effect of acceptance and so on. The evolutionary group has a close relationship with Japan’s New School faction in the aspects of origin, performance repertory and drama style. It further confirms that the new civilization of civilization originated from the Japanese New School drama and that the Japanese New School drama is an important “source of influence” in early Chinese drama.