在某种意义上说,每个民族的艺术与文化都有其内在的整体性,如何对待一个民族的文化传统与如何评价它的艺术现实两者具有不可分割的密切联系。当我们深刻意识到,中国目前的戏曲界那种花团锦簇的表象的后面,实在掩饰着许多有必要加以认真反思的问题时,也就必然会涉及到应该如何对待戏曲的历史与传统的问题,尤其是涉及到如何评价近几十年来戏曲界以“推陈出新”作为 In a sense, the art and culture of each nation have their inherent integrity. There is an inalienable and intimate relationship between how to treat the cultural tradition of a nation and how to evaluate its artistic reality. When we are profoundly aware that behind the appearances of the current Chinese drama circles that are full of flowers, we must cover up many problems that need to be seriously rethought. This will inevitably involve the question of how to treat the history and traditions of opera. In particular, It is about how to appraise the drama industry in recent decades as “innovation.”