《梨园春》自改版至今已经走过了十年,成了传统戏曲在现代社会发展的成功模式。但从深层次审视,则可以发现,传统戏曲在现代化进程中审美趣味和艺术形式的双重变异,使得以《梨园春》为代表的传统戏曲发展模式在中国社会现代化进程中面临着深层危机。 Since its revision, “Liyuan Spring” has gone through ten years and has become a successful model for the development of traditional opera in modern society. However, from a deeper examination, we can find that the traditional drama development model represented by “Liyuan Spring” is facing a deep crisis in the process of social modernization in China due to the double variations in aesthetic taste and art form in the process of modernization.