《赶车传》与其说具有文学史意义,不如说更富于思想史价值。 田间在1942年以后的写作立场是有意一边倒的。“我重视劳动群众的看法”,这表明了他的艺术价值取向。由此不难理解《赶车传》的史诗冲动与阶级代言人的写作身份以及诗歌语言粗俗化之 “Catch-car” is not so much the significance of literary history as it is more rich in the value of the history of ideas. The post-1942 writing position in the field was deliberately one-sided. “I value the views of the working masses,” which shows his artistic value orientation. It is not hard to understand the epic impulse and the class identity of class spokespersons and the vulgar language of poetry