对经典名著的解读,是舞蹈界自2 0世纪七八十年代以来一直“乐此不疲”的行径。芭蕾舞剧的创作曾对文学大家鲁迅、巴金、曹禺投入了极大的关注度。那时涌现出一批作品,包括中央芭蕾舞团创作的《祝福》、北京舞蹈学院创作的《家》,上海芭蕾舞团创作的《雷雨》和也是取材于《祝福》的《魂》。而今对经典文学名著进行解读的热潮又掀波浪,只是此番再解读者,大多选择弱化凌驾于故事之上的时代背景,仅保留原著故事情节,于人性的角度阐发对 Interpretation of the classic classics, is the dance industry since the seventies and eighties of the 20th century has been “never bored ”. The creation of ballet had a great deal of attention to the literary audience Lu Xun, Ba Jin, Cao Yu. A number of works emerged at that time, including the “Blessing” created by the Central Ballet Theater, the “Home” created by the Beijing Dance Academy, the “Thunderstorm” by the Shanghai Ballet, and the “Soul” based on the “Blessing”. Today, the craze for interpreting the classics of classical literature has waved off again. Only this time resolvers, most of them choose to weaken the background of the times above the story, leaving only the original storyline, to elucidate the point of view of human nature