中国近代戏剧变革受到很大的外来影响,这是有目共睹的事实。那么抛开具体的作品“影响”关系不谈,国外戏剧是否可能作为一个整体存在而被中国戏剧变革运动所认同?它又给这一变革的道路选择和模式演进带来些什么启示和推动?也许这一论题本身会对研究结论的可靠性提出挑战,但在中国近代社会的具体人文背景条件下,又似乎是可能的。本文拟就此展开讨论。 It is obvious to all that the reform of modern Chinese drama has been greatly influenced by external influences. So aside from the concrete “influence” relationship, is it possible for foreign theater to be recognized by the Chinese theater reform movement as a whole? What inspiration and promotion is it giving to the road choice and mode evolution of this revolution? Perhaps this topic itself will challenge the reliability of the conclusions of the study. However, it seems to be possible under the specific cultural background of modern Chinese society. This article intends to start a discussion.