作为文学史上的经典文本,杜兰朵故事一直广为流传。在这一故事的众多版本中,戈齐、魏明伦文本尤为引人注目。在西方中心主义潮流引导下,戈齐笔下的《杜兰朵公主》显示了西方的“东方主义”想象;与之相反的是,魏明伦的《中国公主杜兰朵》则从本土视角出发,构造了一个区别于“东方主义”想象的、去魅了的、显现了自我文化张力的东方杜兰朵形象。 As a classic text in the history of literature, Durant’s story has been widely circulated. In many versions of this story, Ge Qi, Wei Minglun text is particularly striking. Guided by the Western trend of centralism, Gorti’s “Princess Durant” shows the West’s “Orientalist” imagination; on the contrary, Wei Minglun’s “Chinese Princess Durant” is from a native perspective , Constructed an image of Oriental Durango that is different from the “Orientalist” imagination and demonized, showing the tension of self-culture.