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(Percy Goetschius,1853～1943)美国现代音乐理论家。1873年进德国斯图加特音乐学院学习钢琴与理论作曲,1876年任教母校,并常为德国各种音乐杂志撰稿。以后受纽约叙拉古大学、纽约音乐艺术学院、波斯顿新英格兰音乐院之聘,任和声学、钢琴、音乐史、作曲法等教授。音乐理论著作有:《曲调作法》、《作曲素材》、《和声学》、《住要曲式规范》、《曲式学》、《曲式课程》、《大曲曲式》、《对位法》、《应川对位法》、《音乐史大纲》、《音乐史精义》、《交响曲名作家》、《巴赫六十首众赞歌》、《音乐的构成》;古典作品编订方面有:《分析交响曲丛刊》、《门德尔松无词歌分析本》、《门德尔松乐曲三十首》、
(Percy Goetschius, 1853 ~ 1943) American modern music theorist. In 1873, he studied piano and theory composition in the Stuttgart Conservatory, Germany, taught his alma mater in 1876, and wrote articles for various German music magazines. Later by the Syracuse University in New York, New York Institute of Music and Arts, Boston New England Institute of Music hired, Renhe acoustics, piano, music history, composer professor. Music theory works are: “melody”, “composer material”, “harmony”, “live music to be regulated”, “music”, “music”, “Daqu”, “ ”,“ Ying Chuan alignment ”,“ outline of music history ”,“ the history of music ”,“ symphonywriter ”,“ Bach sixty public praise ”,“ composition of music ”; classical works are:“ Analysis Symphony Series ”,“ Mendelssohn Song Analysis without the song, ”“ Mendelssohn Song thirty song ”