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三声部民歌是我国８０年代新发现的民间音乐品种之一，是流传民间的一种极为珍稀的民歌现象。本文通过对壮族三声部民歌发现过程的追踪描述，以及对它的演唱形式、流传地域、音乐形态特征，与其生成缘起的分析探讨，意在进一步证明我国多声部民歌存在的事实。对三声部民歌的发现而言，其积极意义首先在于拯救了一个民歌品种，丰富了我国的民间音乐宝库。当前，如何培养后继传人，保存其“活”的音乐传承，是音乐工作者面临的新的重要课题
Three folk song is one of the newly discovered varieties of folk music in our country in the 1980s, which is an extremely rare folk phenomenon that spread folk. This article attempts to further prove the existence of multi-vocal folk songs in China by tracing and describing the process of discovering folk songs in the three parts of Zhuang Autonomous Region, as well as analyzing and discussing the form of singing, the geographical area and the morphological features of music, and their origins. The positive significance of the discovery of folk songs in the Sanpian Department lies firstly in saving a variety of folk songs and enriching the treasure house of folk music in our country. At present, how to cultivate successors and save their “living” music heritage is a new and important issue facing musicians