如果说19世纪是作曲家的时代,那么20世纪就只得让位于指挥家了,而演奏家们置身其中,左右逢源,造就出不少英雄。特别是20世纪上半叶的小提琴家们,真可谓群星斗艳,无论是演奏技术的进步还是对作品深度和广度的挖掘,均呈现出空前繁荣的局面。克莱斯勒、席格蒂、海菲茨、米尔斯坦、梅纽因、谢林、格鲁米欧等如此众多且振聋发聩的名字足以在小提琴艺术史上写下浓墨重彩的一笔。面对古典音乐遗产留给后人在演绎与阐释方面的巨大难题,从来没有哪个时代的演奏大师们能够像他们那样作出如此令人满意的回答。作为小提琴家中独领风骚之人,也许海菲茨更加广为人知,但他的同门师兄弟米尔斯坦以其晶莹璀璨、独具一格的超群技艺在小提琴家的巨星中依然耀眼。他不仅是同时代小 If the 19th century is a composer’s time, then the 20th century had to give way to conductors, and performers come in, both ways, creating a lot of heroes. In particular, the violinists in the first half of the twentieth century are truly amazing stars. Both the progress in playing techniques and the excavation of the depth and breadth of their work have shown unprecedented prosperity. Chrysler, Xigeti, Heifeixi, Milstein, Menin, Schelling, Gruumio so many and enlightening names enough to write in the history of violin art a touch of color. In the face of the tremendous difficulties that the classical musical legacy leaves the descendants with deductions and interpretations, there has never been a time when the great masters of the world were able to make such a satisfying answer as they did. As a violinist dominate people, perhaps the more well-known Heifeixi, but his fellow with his brother Mierstein brilliant crystal, unique and unique skills in the violinist star still dazzling. He is not only from the same age