陈惠彪的水墨画要一个很大的地方展出。他的画不仅画幅巨大,而且气势也很大,用“黑山黑水”来形容一点也不为过。墨色既像在画面上流动,又厚重地渗透在空间之中,意象隐藏在抽象中,抽象中又能读出意象。有些画像浓密的树林,墨的层次暗示着空间的层次;有些画像迎面堵来的岩壁,似乎堵塞了现实的视线,但形式却向外扩张,似乎暗示了无限的空间。他不是通常的那种向心式构图,而是近似抽象表现主义的“满幅构图”,充满形式的张力。 Chen Huibiao’s ink painting to a large place to display. Not only is his painting a huge frame, but his impression is also great. It is no exaggeration to say “Black Mountain Black Water”. The ink color flows both in the picture and in the space, the image is hidden in the abstract, and the image in the abstract can read the image. In some dense woods, the level of ink implies a spatial dimension; some portraits seem to block the real sight of the wall, but the outward expansion of form seems to suggest unlimited space. He is not the usual kind of centripetal composition, but a “full-scale composition” that approximates abstract expressionism, full of form tension.