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吴祚来(《文艺理论与批评》杂志社社长,以下简称吴):陈先生,当代中国美术界给大家的印象是在走两个极端,一是成为市场的附庸,用市场天文数字般价格来吸引公众注意力,美术成为炼金术,这是成功的艺术家。而没有获得市场青睐的一些艺术家则玩起了行为艺术,怎么会出现这两个极端呢?
Wu Kuilai (President of “Literary Theory and Criticism” Magazine, hereinafter referred to as Wu): Mr. Chen, the impression that contemporary Chinese art circles give everyone is going two extremes. One is to become a vassal of the market and use market astronomical prices Attract public attention, art as alchemy, this is a successful artist. Some artists who have not won the favor of the market play the art of performance. How can these two extremes appear?