雕漆,根据其髹漆色调、制作工艺的不同,可分为剔红、剔黄、剔黑、剔彩等等。雕彩漆的制作方法,是在器物上用不同颜色的漆,分层漆上去,每层漆若干道,使各色漆都有一个相当的厚度,然后用刀雕刻,若图案需要某种颜色时,便剔去在它上面的漆层,露出所需的色漆,再按图刻花纹。在明代漆工黄大成的名著《髹饰录》中,对剔彩有专门论述:“剔彩,一名雕彩漆。有重色雕漆,有堆色雕漆。如红花、绿叶、紫枝、黄果、彩云、黑石、轻重雷文之类,绚艳悦目。”在收藏漆器较为丰富的故宫博物院藏品中,我们见到的最早剔彩器物,是明代宣德时期的剔彩林檎捧盒,无论从它的图案设计、布局,还是漆色的运用,都达到了极高的水平。从明初到明末,以至清朝,这种 Carved lacquer, according to its paint color, production process, can be divided into tick, tick yellow, tick black, tick color and so on. Carving paint production method is to paint on the objects with different colors, layered paint up, each layer of paint Road, so that each color paint has a considerable thickness, and then carved with a knife, if the pattern requires a color , Then pick out the paint layer on it, reveal the required paint, and press the engraved pattern. In the Ming Dynasty painter Huang Dacheng’s masterpiece “髹 decoration recorded” on the ticking color has a special discourse: “tick color, a carved paint. There are heavy carved lacquer, a pile of color carved lacquer, such as safflower, green leaves, purple branches, Huanggu, Caiyun, Blackstone, Levin, etc., are magnificent. ”Among the collections of rich collections of lacquer ware, the earliest objects we saw were the ticketing boxes in the Xuande period of Ming Dynasty, From its design, layout, or paint the use of color, have reached a very high level. From the early Ming to the end of the Ming Dynasty, and even the Qing Dynasty, this