20世纪90年代以来,俄罗斯电影像一面魔镜似地反射出千奇百怪的社会心理和民族心态,经过否定之否定的痛苦过程,终于走出了虚无主义的怪圈,开始进行恢复民族价值观的正面探索,并反映在题材、主人公塑造、主题思想等多方面的变化上。 Since the 1990s, the Russian film, like a mirror, reflects all sorts of strange social psychology and national mentality. After a negative and painful process of negation, Russia finally walked out of the cycle of nihilism and started a positive exploration of restoring ethnic values. Reflected in the theme, the protagonist shape, theme and many other changes.