与诗歌创作实践密切结合的余光中现代诗学 ,反对狭隘单一 ,弃绝趋时媚俗 ,具有开放性、包容性特征 ;但又不同于古典诗学、浪漫主义诗学和现代主义诗学 ,并超越“五四”后新诗的多种既定模式 ,主张生命与“庞大而沉重的现实全部”相碰撞 ,在时间中燃烧 ,在“火浴”中蜕变 ,回到古典而又不同于古典 ,从而创建“中国化的现代诗”的诗学体系 Yu Guangzhong’s modern poetics, which is closely integrated with practice of poetry, opposes parochialism and rejects kitsch, which is open and inclusive. However, it differs from classical poetics, romantic poetics and modernist poetics beyond the “ After the May Fourth Movement, the new poetry possesses a variety of established modes, advocating that life collides with ”all the large and heavy reality“, burns in time, changes in the ”fire bath“, returns to the classical and different from the classical, Chinese modern poem ”poetics system