乡下人为了使说不上饭食的饭食有些许滋味,每年都下点大酱或盘酱或豆瓣酱。酱缸盛酱,盛与被盛的关系,不可能有什么故事。愣要往大了说,套用老子那时候的话,也不过是道与器的关系。所以酱缸没故事。但自从李老疙瘩三番五次地进城做点小买小卖,从城里人的兜里极轻易又极费口舌地掏腾出几张小票后,思绪就每每投向酱缸,使本来没故事并且不该有故事的酱缸开始有了故事。这自然不是笑谈。李老疙瘩总是很深沉地说你们见过城里人家有酱缸吗?这些年各种各样的理论都有,李老疙瘩也是有理论的。他的理论经过整理是这样的:城里人是天生的城里人吗?不是。他们的老祖宗以至他们的过去跟我们是一样的。但是他们成了城里人,活得有滋有味,不愁天灾病孽,其关键原因是他们抛 In order to make the meals less nutritious, the villagers put a miso or a sauce or bean paste every year. Sauce sauce Sheng, Sheng and was Sheng relationship, it is impossible to have any story. Stunned to say big, I use the words of the time, but also the relationship between Tao and device. So saucers no story. However, since the old lumps of pimples into the city over and over again to do a little buy sell, from the city’s pocket in the very easy and excuse me to dig out a few small votes, my thoughts often cast saucepan, so no story and The story of the sauce tank should have a story. This is not a joke. Li Lao pi is always very deep that you have seen the city people have saucers? All these years have a variety of theories, Li Lao pi is also a theory. His theory is organized like this: City people are born city people do not? Their ancestors and their past are the same with us. But they have become the city people, live with nourishment, worry about natural disasters, the key reason is that they throw