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鉴于在当代文坛引起激烈争论的话题———“文学终结论”,从生态文艺学的角度解读海德格尔的哲学命题“语言是存在之家”,不难透视出蕴含其中的生存论语言观从根本上扭转了人与语言、人与自然的关系,语言或诗的语言成为人类返回自然、重获本真存在的途径,从而确定了文学艺术在当今的物质时代不可或缺的地位,而“文学终结论”的观点亦不堪一击。海德格尔提出的“语言言说”命题是剥夺人的话语霸权、削弱人的“中心”地位的基石,他强调了人类与自然平等的但又相互依存的关系,即人与自然万物在“世界之中存在”。亲近自然,聆听大地寂静之音,并发之于声,便是诗的语言,是艺术。对自然之神圣的感悟与聆听,表现在人类生存上,便是对精神的不懈追求,这也是文学艺术存在的价值与位置。
In view of the topic of literary controversy in the contemporary literary world, “the conclusion of literature”, Heidegger’s philosophical proposition “language is the home of existence” can be interpreted from the perspective of eco-literature and art. It is not hard to see the concept of existentialism contained in it Fundamentally reverses the relationship between man and language, man and nature, and the language of language or poem becomes the way for mankind to return to nature and regain its true existence, so as to determine the indispensable position of literature and art in today’s materialistic times. However, The view of “end of literature” is also unbearable. Heidegger’s proposition of “language speech” is to deprive human discourse hegemony and weaken the cornerstone of man’s “centrality.” He emphasizes the equal but interdependent relationship between mankind and nature, that is, Among the existence. " Close to nature, listen to the sound of silence in the earth, concurrency in the sound, it is the language of poetry, is art. The sacred perception and listening to nature, manifested in human existence, is the relentless pursuit of the spirit, which is also the value and position of the existence of literature and art.