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从1979年重返文坛到1997年离世,汪曾祺创作了《骑兵列传》《寂寞和温暖》《天鹅之死》《皮凤三楦房子》《云致秋行状》《虐猫》《八月骄阳》《唐门三杰》《可有可无的人——当代野人》《不朽》《当代野人系列三篇》《吃饭——当代野人》等近二十篇“文革”题材小说。“所谓文革,首先是一个‘故事’,一个内容情节大致相同格式细节却千变万化而且可以引出种种不同诠释的‘故事’。而这个‘故事’的小说版本,很可能会比政治文献版本或历史教科书版本流传更广,影响更为深远。”(1)那么,汪曾祺的“文革”系列小说采取了哪种讲“故事”的方式?
Returning to the literary world from 1979 to his death in 1997, Wang Zengqi created “The Ravens Biography”, “Loneliness and Warmth”, “The Death of Swan”, “The Three Kingdoms of Pifeng House”, “Autumn Clouds”, “Sad Cats” and “August Sun” “Tang Men Sanjie” “dispensable person - contemporary savage” “immortal” “contemporary savage series three” “eat - contemporary savage” and nearly twenty “Cultural Revolution” theme novel. The so-called Cultural Revolution, first of all, is a ’story’, a ’story’ whose content is roughly the same in form and detail but leads to many different interpretations, and it is likely that the novel version of ’the story’ is likely to prevail over the political document version or history Textbooks version spread more widely, the impact is more far-reaching. “(1) So, Wang Zengqi’s” Cultural Revolution “series of novels to take what kind of” story "way?