在中国传统审美发展的演绎过程中,可以看到不同历史时期所形成的唐诗、宋词、元曲、院体绘画与文人绘画、书法中的大小篆、隶魏、楷书、行草,以及明清瓷器与木器的图案、造型的审美衍变,都是以艺术表现的个性特征,去传达着时代审美精神的差异,实现着继承中的发展;都以中国传统的文明观和审美观去连接着文化的传承,并体现出文化的共通性与延续性,从中窥视出在传统审美的延续性与中国画的创新发展所形成的演化过程之间,有着不可割裂的至深 In the course of the deduction of traditional aesthetic development in China, we can see Tang poems, Song poems, Yuan dynasties, Yuan dynasty paintings and literati paintings formed in different historical periods, Chinese calligraphies and seals in the calligraphy, Li Wei, regular script, And aesthetic changes in the design and pattern of wood are based on the individual characteristics of artistic expression to convey the differences in the aesthetic spirit of the times and realize the development in succession. Both of them are connected with the traditional Chinese culture and aesthetics Inheritance, and reflect the commonalities and continuity of culture, from which we can see that there is an indelible depth between the continuity of traditional aesthetic and the evolutionary process of the innovation and development of Chinese painting