浮雕汇集到了绘画的平面语言,而不是圆雕的空间语言。绘画与浮雕之间最深层的亲缘是,它们的正形与负形都被稳定在有限的篇幅中。欣赏过程要求的那种静态不仅在于作品自身的呈现形态,还要融进观赏者的进入状态。 Embossment brings together the flat language of painting, not the space language of the round sculpture. The deepest affinity between painting and relief is that both their positive and negative shapes are stabilized in limited space. The kind of static required by the appreciation process lies not only in the presentation of the work itself, but also in the entry status of the viewer.