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他的书风不以一家一式为模范,而是别采众家,融会己意,形成各种不同的风格,在清代中期的书坛上留下浓墨重彩的一笔。金农(1687～1763)原名司农,字寿门,又字吉金,号冬心先生,别署稽留山民、曲江外史、龙梭旧客等,浙江仁和人(今杭州),是“扬州八怪”中书法风格最为鲜明的画家之一。他的书风不以一家一式为模范,而是别采众家,融会己意,形成各种不同的风格,在清代中期的书坛上留下浓墨重彩的一笔。关于他的书风,已有不少论文、论著专门述及,在此笔者不再赘述。本文仅以广东省博物馆所藏金农书画为例,透析其书风之不同特色。
His book style is not a model for one family, but do not adopt all family members, get his own meaning, the formation of different styles, in the middle of the Qing Dynasty calligraphy left a strong impression. Jinnong (1687 ~ 1763) formerly known as Secretary agriculture, the word Shoumen, word Ji Jin, No. Dong Xin, the Department of the remaining mountain people, the history of Qujiang, Longshao old passenger, Zhejiang Renhe people (now Hangzhou), is One of the most distinctive calligraphic styles in “Eight Eccentrics in Yangzhou”. His book style is not a model for one family, but do not adopt all family members, get his own meaning, the formation of different styles, in the middle of the Qing Dynasty calligraphy left a strong impression. About his style of writing, there have been many papers, treatises specifically addressed, in this I will not repeat them. Taking Jinnong paintings from Guangdong Provincial Museum as an example, this paper analyzes the different features of its style of writing.