李建军在其著述中无视《尘埃落定》的边地民族文化属性与语境,对小说的叙述者、语言、审美意识等多有误判。针对李建军的盲区在与其商榷中将着力拓展批评的文化视域,不仅悉心卫护小说叙事方式的多样化实验,同时刻意执守民族文化形态的多元性依存。 In his writings, Li Jianjun ignores the attribute and context of the border culture of “dust settling down” and misjudges the narrator, language and aesthetic awareness of the novel. With regard to Li Jianjun’s blind area, he will strive to expand the cultural perspective of criticism. He not only pays great attention to the diversified experiments in protecting the narrative style of the novel, but also deliberately upholds the pluralistic dependence of the ethnic cultural patterns.