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近年来倍受关注的艺术人类学,多以造型艺术为其研究对象,但对于“出现即消逝”的音乐而言,只能从“生成”的角度进行把握。起源于西欧的“古巴古典音乐的生成”事例,重新构建了艺术人类学的理论框架,开拓了“艺术生成”这一全新的视角。以音乐为对象的艺术人类学,应该关注艺术当中“存在”与“生成”的差异问题。
In recent years, the art anthropology that attracts much attention has focused on the art of plastic arts for its research object. However, for the music of “appearing and disappearing”, it can only be grasped from the perspective of “generation ”. Originated in Western Europe “Cuban classical music generation ” case, to rebuild the theoretical framework of art anthropology, opened up “art generation ” this new perspective. Art anthropology, which focuses on music, should pay attention to the difference between “existence” and “generation” in art.