郁达夫小说的欲望叙述理路在于对身体性欲望的转移和压制,并没有表现出生命意义上的欲望满足效果,这使得叙述成为对欲望本义的改写。内中欲望的本能释放一直受到现实和理性内容的制约,存在着背离欲望叙述的原动力,而小说“颓废的气息”、“人性的优美”、“一点社会主义的色彩”等主题形态的交织和演变就可视为这一理路合乎逻辑的展开,形成自然诗意、道德伦理、家国观念等内容对于欲望的转化和置换,客观上构成了对欲望叙述的多层面演示,成为现代欲望叙述乃至现代小说的重要“原型”。 The description of desire in Yu Dafu’s novels lies in the transfer and repression of the sexual desire of the body, and does not show the desire satisfaction in the meaning of life, which makes the narration become the rewriting of the original meaning of desire. The instinctual release of desire inside and in the middle has always been restricted by the content of reality and rationality, and there is a driving force deviating from the description of desire. However, the novel “the atmosphere of decadent ”, “beautiful ”, “a little bit of socialism The interweaving and evolvement of the theme forms can be regarded as a logical development of this line of reasoning, forming the transformation and replacement of the content of the natural poetic thoughts, moral ethics and the concept of the home country, which objectively constitute the multi-level demonstration of the desire narration, Become an important ”Prototype " of modern descriptive and even modern novels.