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拍艺术片,等于你自己有一个游泳池,想怎么折腾就怎么折腾,但汪洋大海不是你能控制的。所以我越来越发现,要在大风大浪中锻炼自己。宁瀛作品被认为是转型中国社会的影像符号,她的“北京三部曲”《找乐》《民警故事》和《夏日暖洋洋》集中刻画了20世纪90年代北京人的生活图景。《找乐》中的离退休京剧票友,《民警故事》中为琐事纠缠的中年民警,还有《夏日暖洋洋》中迷惘的青年出租车司机,无不反映了宁瀛对于时代的提炼与思考。她的电影与“第五代”风格若即若离,“宁瀛作品”就是她最好的标签。
Take art films, equal to your own swimming pool, how to toss about how to toss, but the sea is not you can control. So I find out more and more that I need to exercise myself in the big winds and waves. Ning Ying’s works are considered to be the image symbol of the transformation of Chinese society. Her “Beijing Trilogy”, “Find Music”, “Police Story” and “Summer Warm” epitomize the life scenes of Beijingers in the 1990s . Retired Peking Opera farewellers in “Find Happiness”, middle-aged police who are entangled in the “Police Story” for trifles, and the confused young taxi driver in “Summer Warm” all reflect Ning Ying’s work on the refinement of the times Thinking. Her movie is in the style of “Fifth Generation”, and “Ning Ying Works” is her best label.