弗朗索瓦·特吕弗是举着反对乌当一拉哈的旗帜开始在五十年代的法国影评界引人注目的。终生,他反对“催眠式”的影片,更有意思的是,他声称反对“过于法国化”。但实际上,简直没有比他更能代表国外人一股理解中的法国情调了。 Francois Truffaut, holding the banner of opposition to Udah Lhaha, began to attract attention in the French critics in the 1950s. Throughout his life, he opposed “Hypnotic” films, and more interestingly, he claimed to oppose “too French”. But in fact, there is simply no better way to represent a foreigner than to understand French sentiment.