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在《庄子·杂篇·天下》中,庄子提出他的寓言创作理念,即“以卮言为曼衍,以重言为真,以寓言为广”[1]52,而且也明确讲到自己对老子学说的推崇:“寂寞无形,变化无常,死与?生与?天地并与?神明往与?芒乎何之?忽乎何适?万物毕罗,莫足以归。古之道术有在于是者,庄周闻其风而悦之。”[1]52对庄子的寓言文体进行解析,会发现对老子心悦诚服的庄子正是把老子哲学的基本范畴“无”与“玄”绝妙地运用在他的寓言创作中,从而认证了自己对老子之道
In “Zhuangzi Miscellaneous Articles · The World”, Chuang Tzu put forward his idea of allegorical creation, that is, “using mantra as Man-yan, using emphasis as truth, and using allegory as a foundation” [1] 52, To his own theory of Lao Tzu’s respected: “Loneliness intangible, changeable, death and life and world and with God? Taoism is there, Zhuang Zhou smells of the wind and pleasure. ”[1] 52 To parse Zhuangzi’s parable style, we can find that Zhuangzi, who is truly sincere and loyal to Lao Tzu, regarded the basic category of Lao Tzu philosophy as Metaphysical "wonderful use of his fable creation, which authenticated his own way to Lao Tzu