曾有人用这样一副对联概括国内外的区别,国外是好山好水好冷清,国内是好脏好乱好热闹。但事实上,翻开中国地图,祖国的壮丽山河遍布大江南北,先贤古迹更是俯仰皆是。从魏晋南北朝开始,自然美景逐渐作为一种题材大量的进入文学作品,从陶弘景的《答谢中书书》到谢灵运的《归途赋》,从王羲之的《兰亭集序》到郦道元的《水经注》,游记文学就已经悄然形成。唐宋时期伴随 Someone once used such a couplet to sum up the differences between home and abroad. The foreign countries are well-off and well-off. However, in fact, turning map of China, the magnificent mountains and rivers of the motherland all over the river north and south, the sages and monuments are all pitching. Since the Wei, Jin and Northern and Southern dynasties, the natural beauty has gradually entered literature as a theme. From Tao Hongjing’s Ancestral Book to Xie Lingyun’s Return to the Home, from Wang Xizhi’s Lanting Collection to Tao Daoyuan’s “ Water by the note, ”travel literature has been quietly formed. Tang and Song Dynasties accompanied