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人体形象在原始社会一问世 ,就表现为巫、性、美的价值统一。在以后的发展中 ,三元素的价值结构呈现出纷纭复杂的组合形态 ,人体形象随之出现质的差异。古希腊雕塑以美为价值核心 ,性与巫参与其中 ,成为美的对象。古埃及人体以巫为核心 ,兼容性与美 ,成为独特的艺术现象。欧洲中世纪基督教人像 ,在强调巫的同时 ,极力诋毁性与美 ;印度教人体在显现巫的同时 ,既强化性 ,也不乏美 :两种宗教艺术异彩纷呈。淫秽人体 ,唯性为尊 ,别无它求 ,当然在扫荡之列。研究巫、性、美在历时性结构中的丰富形态 ,是把握人体形象的起源及其演变的一把钥匙。
As soon as the primitive society appeared, the human image showed the unity of values of witchcraft, sex and beauty. In the future development, the value structure of the three elements showed a complex combination of forms, the human image there followed a qualitative difference. Ancient Greek sculpture to the United States as the core value, sex and witch participation, become the object of beauty. The ancient Egyptian witch as the core, compatibility and beauty, as a unique artistic phenomenon. European medieval Christian portrait, while emphasizing witch, strongly denigrates sex and beauty; while Hindu human body shows witchcraft, it is both reinforcing and beautiful: two kinds of religious arts are colorful. Obscene human body, lust for the respect, without it seeking, of course, in the sweep of the column. To study the rich forms of witchcraft, sex and beauty in the diachronic structure is a key to grasp the origin and evolution of the human image.