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去年年底香港中文大学举行了“世界华文剧作家国际研讨会”,与会的代表来自中国大陆、台湾、香港,新加坡、澳门、美国、法国等世界各汉语区域,他们都对蓬勃的香港话剧感到惊讶:在话剧演出一片不景气之中,香港以弹丸之地和华夏文化“穷表亲”的身分,竟能在商业挂帅的资本主义社会包围中脱颖而出。因此,香港话剧现象的发展模式,应该是一个很有研究价值的课题。香港话剧的数量颇为可观。根据1991年的统
At the end of last year, the Chinese University of Hong Kong held the “International Symposium of World Chinese Playwrights”. Delegates from various regions of the world, including mainland China, Taiwan, Hong Kong, Singapore, Macau, the United States and France, were surprised by the flourishing Hong Kong drama : In a downturn in drama performances, Hong Kong has stood out from the encircled by the capitalist society in a commercial manner with the projectile of land and the “poor cousins” of the Chinese culture. Therefore, the development model of the phenomenon of Hong Kong’s drama should be a topic of great research value. The number of Hong Kong plays is quite impressive. According to the 1991 system