没有任何艺术象电视剧一样,从它产生的那天起,就伴随着如此强烈的危机感。它注定要在民族文化体系中担负起重要职责,然而自己并不了解这种职责;它似乎总在竭力满足观众,然而从未使观众得到过真正的满足,而且,来自观众方面的批评常常使它陷于无所适从的尴尬境地;它是最有生命力的形式,然而 There is no such thing as a drama, with a strong sense of crisis from the day it was created. It is doomed to take an important role in the ethnocultural system, yet it does not know it; it always seems to be trying its best to satisfy the audience, yet never giving the audience real satisfaction, and criticism from the spectators often It is in an awkward position at a loss; it is the most viable form, however