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时间:2016年11月4日地点:本刊编辑部问:您与王冬龄老师有哪些个人渊源?在展览前您也写了一片文章专门对“乱书”做了一些您的评论,您如何看待王冬龄老师的创作历程?答:在展览之前我写过一篇王冬龄“乱书”的文章,本身是写了两方面,一个是作为结果的抽象画,另一个是作为过程的行为艺术,同时我还提到了王老师是怎么从传统书法直接推向当代艺术的。我认识王冬龄老师是在九十年代初,有二十多年历史了,应该说,对他的艺术发展过程还是比较了解的,
Time: November 4, 2016 Venue: Editorial Department Q: What are your personal origins with Mr.Wang Dongling? You also wrote an article before the exhibition devoted to your comment on “Chaoshu”, your How to treat the creation process of Wang Dongling’s teacher? A: Before the exhibition, I wrote an article about Wang Dongling “Chaoshu ”, which itself wrote two aspects: one is the abstract painting as a result and the other is the act as a process At the same time, I also mentioned how Teacher Wang directly pushed from traditional calligraphy to contemporary art. I know Wang Dongling teacher was in the early nineties, more than 20 years of history, it should be said that his art development process is still relatively understanding,