孙绍振同志在他的《新的美学原则在崛起》中,提出了当前文艺创作的许多带有根本性的问题。其中之一,就是关于创新和继承的关系问题。这是一个既新鲜而又古老的问题。所谓新鲜,是在粉碎“四人帮”以后,特别是近两年来,艺术的创新问题,成了多少新老作家共同追求的目标。所谓古老, In his rise of the “new aesthetic principle,” Comrade Sun Shao-zhen put forward many fundamental problems in the current literature and art creation. One of them is about the relationship between innovation and succession. This is a fresh and old problem. The so-called freshness is the innovation of the arts after the smashing of the “gang of four” and especially in the past two years. It has become the common goal pursued by many new and old writers. The so-called ancient,