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以查拉独几小说为个案,通过对其杂语喧哗的狂欢体叙事的描述,分析少数民族作家汉语写作中某种跨民族、跨语际、跨文化的杂媾混血现象。
Taking Chala’s few novels as a case, this article attempts to analyze the phenomenon of cross-nationality, inter-linguistic and intercultural mixed-race in ethnic Chinese writers through the depiction of their noisy carnival narrative.