艺术生产与物质生产有着共同性 ,那就是都有一个扩大再生产的问题。但艺术生产又有着自己特殊的生产规律 ,那就是它的扩大再生产主要不是产品数量的增加 ,而是质量的提高 ,它的“扩大”主要是在消费领域实现的 ,“文选”效应就是通过对数量的压缩进而达到质量的“浓缩”,让读者广泛而持久地阅读其精品 ,在消费领域实现了“扩大再生产”,历史上对《诗经》、《文选》的编选 ,就是显著的例证。而在这一编选过程中 ,编辑者起了创造性的作用。在整个艺术生产的工作流程中 ,作者——编者——读者是不可或缺的系统链条 ,而我们今天的文艺理论教科书 ,均缺失编辑理论一环 ,这种理论应该说是不完整的 There is a commonality between artistic production and material production, that is, there is a problem of expanding reproduction. However, the production of art has its own special law of production, that is, its expansion of reproduction is mainly not an increase in the number of products but an improvement in quality. Its “expansion” is mainly realized in the field of consumption. The effect of “anthology” The compression of quantity and then the “enrichment” of quality will enable readers to read their products extensively and permanently, and achieve “expanded reproduction” in the field of consumption. The selection of “The Book of Songs” and “Selected Works of Wen” in history is a remarkable example. In this editing process, editors play a creative role. In the whole workflow of art production, author-editor-reader is an indispensable system chain, and our today’s literary theory textbooks are missing a part of editorial theory, which theory should be said to be incomplete